41 Sobre el Culto a las "Notas Equivocadas" [sic.] (Prospero)

Sean todos bienvenidos a Psicología, Música e Historia. El episodio sobre Mahler está llevando más tiempo del queimaginaba, así que, para no dejar el podcast abandonado hasta que lo termine voy a presentar otro artículo del Musical Quarterly. “Sobre el culto a las Notas equivocadas” de Frederick Corder. Música utilizada Prospero - Corder (The Orchestra of Opera North, David Lloyd-Jones https://open.spotify.com/intl-es/track/4MFXMLJWIO9G7kqac0P5le?si=5b70472b05884529 Preludio de Así Habló Zaratustra - Strauss (Berliner Philharmoniker, Herbert von Karajan) https://open.spotify.com/intl-es/track/43YwOmGUOS3zzGvj1Feszb?si=9c8df90beecf4f0e Ib. Allegretto un poco agitato de Sinfonía 2 - Mendelssohn (NDR Radiophilharmonie, Andrew Manze) https://open.spotify.com/intl-es/track/0jAiwsbd4u8GzKPVHiCsNb?si=ee4d1299db204777 Japanese Suite, Op. 33, H. 126: II. Ceremonial Dance - Holst (Ulster Orchestra, JoAnn Falletta) https://open.spotify.com/intl-es/track/4p7WmQq40D4EMK2O1y2Vzm?si=4b2e7909a00e430c Vers la Flamme - Scriabin (Vladimir Horowitz) https://open.spotify.com/intl-es/track/1KNDO0UjXWKuM6KjtBNnlW?si=5efc3b7994d84584 Aimons-nous et dormons, CD 7 - Debussy (Jennifer France y Malcolm Martineau) https://open.spotify.com/intl-es/track/6kGZQwzPmJTofyrJx1SikU?si=0efd0638bb7145c1 2 Elegies, Op. 8b, Sz. 41 - Bartók (Samson François) https://open.spotify.com/intl-es/track/0ArZVWm5ad4X2e5XeJaMID?si=49663a2a97e943f8 https://open.spotify.com/intl-es/track/3pJZOKtxUjRC7MnIJZBhp7?si=ae3919dcde854b6c Hamlet, S104/R421 - Franz Liszt (New Zealand Symphony Orchestra, Michael Halasz) https://open.spotify.com/intl-es/track/2olFy2LNllskr2qDwlCCgJ?si=36f661ee339a4f7f Nocturne et Scherzo, L. 39 - Debussy (Henrik Brendstrup y Per Salo) https://open.spotify.com/intl-es/track/6ZyYNCkZwpC3UJ0jjaueKV?si=9f1f4b7ac7bd4aca This podcast may contain copyrighted material used under the 'fair use' doctrine or with the copyright owner's permission. In accordance with international copyright laws, we employ copyrighted content for purposes such as critique, commentary, education, and research, respecting the rights of copyright holders. We make every effort to secure proper permissions when required, and if you believe we've inadvertently infringed upon your copyright, please contact us for resolution. Our commitment is to promote learning and discussion while adhering to copyright laws.